Taylor Mead

Taylor Mead

oneterabyteofkilobyteage:

original url http://www.geocities.com/TelevisionCity/Set/1977/

last modified 1997-07-07 05:08:25

From my fav tumblr

oneterabyteofkilobyteage:

original url http://www.geocities.com/TelevisionCity/Set/1977/

last modified 1997-07-07 05:08:25

From my fav tumblr

Les Blank’s A Well Spent Life

“The only moment in film history when two of Joseph Cornell’s most iconic women, the objects of so much obsession and fetishizing — Hedy Lamarr and Rose Hobart — were on screen together: ZIEGFELD GIRL (1941).” - Joe McElhaney via Facebook  https://www.facebook.com/photo.php?fbid=10151247203331194&set=a.41639956193.55670.594336193&type=1

“The only moment in film history when two of Joseph Cornell’s most iconic women, the objects of so much obsession and fetishizing — Hedy Lamarr and Rose Hobart — were on screen together: ZIEGFELD GIRL (1941).” - Joe McElhaney via Facebook  https://www.facebook.com/photo.php?fbid=10151247203331194&set=a.41639956193.55670.594336193&type=1

Nagisa Oshima, 1932-2012 (Diary of a Shinjuku Thief)

Nagisa Oshima, 1932-2012 (Diary of a Shinjuku Thief)

Nancy Spero to Lucy Lippard via @malahern

Nancy Spero to Lucy Lippard via @malahern

“The coyote is a long, slim, sick and sorry-looking skeleton, with a gray wolfskin stretched over it, a tolerably bushy tail that forever sags down with a despairing expression of forsakenness and misery, a furtive and evil eye, and a long, sharp face, with slightly lifted lip and exposed teeth. He has a general slinking expression all over. The coyote is a living, breathing allegory of Want. He is always hungry. He is always poor, out of luck, and friendless. The meanest creatures despise him, and even the fleas would desert him for a velocipede. He is so spirtless and cowardly that even while his exposed teeth are pretending a threat, the rest of his face is apologizing for it.” Mark Twain via Chuck Jones

“The coyote is a long, slim, sick and sorry-looking skeleton, with a gray wolfskin stretched over it, a tolerably bushy tail that forever sags down with a despairing expression of forsakenness and misery, a furtive and evil eye, and a long, sharp face, with slightly lifted lip and exposed teeth. He has a general slinking expression all over. The coyote is a living, breathing allegory of Want. He is always hungry. He is always poor, out of luck, and friendless. The meanest creatures despise him, and even the fleas would desert him for a velocipede. He is so spirtless and cowardly that even while his exposed teeth are pretending a threat, the rest of his face is apologizing for it.” Mark Twain via Chuck Jones

John Ford on his Deathbed, RB Kitaj

John Ford on his Deathbed, RB Kitaj

thejogging:

Copy of J.K. Rowling’s Casual Vacancy Autographed by Yayoi Kusama, 2012
Book, Autograph
´´´

thejogging:

Copy of J.K. Rowling’s Casual Vacancy Autographed by Yayoi Kusama, 2012

Book, Autograph

´´´

(via celebraterickysargulesh)

Elliott Stein, My Life with Kong



Hélio Oiticica, Cocaine Drawings: Buñuel, Monroe, Hendrix. 

Hélio Oiticica, Cocaine Drawings: Buñuel, Monroe, Hendrix. 

lightindustrylightindustry:

Petite Planète Poster, 2006Offset lithograph on heavy paper26 x 36 inchesLimited Edition$100Chris Marker worked for the publishing house Editions du Seuil in the 1950s and, among other projects, he was responsible for Seuil’s series of travel books, Petite Planète. Jason Simon, in consultation with Marker, collected every version of each book that Marker was directly involved with—either as editor, designer, cover photographer, author, or all of these roles together—for display at the cooperative gallery Orchard in 2006, as part of the exhibition Having Been Described in Words. After the show, Marker and Simon decided to produce a poster depicting the covers of the Petite Planète guides from 1954-64.Simon has generously donated to Light Industry a rare edition of the poster, stamped on the verso with an image supplied by Marker: Guillaume-en-Égypte consulting his guide.Buy now.For more information, please email information@lightindustry.org.

lightindustrylightindustry:

Petite Planète Poster, 2006
Offset lithograph on heavy paper
26 x 36 inches
Limited Edition
$100

Chris Marker worked for the publishing house Editions du Seuil in the 1950s and, among other projects, he was responsible for Seuil’s series of travel books, Petite Planète. Jason Simon, in consultation with Marker, collected every version of each book that Marker was directly involved with—either as editor, designer, cover photographer, author, or all of these roles together—for display at the cooperative gallery Orchard in 2006, as part of the exhibition Having Been Described in Words. After the show, Marker and Simon decided to produce a poster depicting the covers of the Petite Planète guides from 1954-64.

Simon has generously donated to Light Industry a rare edition of the poster, stamped on the verso with an image supplied by Marker: Guillaume-en-Égypte consulting his guide.

Buy now.

For more information, please email information@lightindustry.org.

Jer

Jer

The Changing Image of Opera http://www.youtube.com/watch?v=9Zsd-K5aKyI&feature=relmfu